Paint Schoodic

We had another successful painting workshop at the Schoodic Institute in beautiful Acadia National Park. Join us in 2018!

Wednesday, December 17, 2008

Paint Way Down East July 11-18, 2009


Following up on last year’s highly successful workshop, I am offering a painting adventure next summer to the moody, rock-bound coast of Down East, Maine.

This workshop will be based at the lovely and historic West Quoddy Coast Guard Station in Lubec, ME. This early 20th century station is located on the edge of Quoddy Head State Park. The station was recently renovated and opened as a guesthouse by Bill Clark, who developed Randall’s Ordinary Inn in North Stonington, CT.

Your fee of $1150 includes instruction, all meals and seven days of double accommodations. (Other packages are available from $1050.) Non-participating spouses are always welcome; please contact us here for more information and pricing.
See a brochure here.

Book by Feb. 1, 2009 and save $100 off the cost of your workshop!

Among the attractions to paint are:

West Quoddy Head Light (c. 1858)
Passamaquoddy Bay
Historic Lubec waterfront and harbor
Grand Manan Channel
West Quoddy Peat Bog
Sail Rock
Carrying Place Cove
Mulholland Light
Lubec Channel Light

Area attractions include:

St. Andrews, NB, and the Bay of Fundy
Historic whaling community of Eastport, ME
FDR historic site at Campobello Island
Whale-watching

For more information, email me here, or call Carol L. Douglas Studios at 585-201-1558.

Looking forward to seeing you in Maine!

Tuesday, October 14, 2008

Junior League of Rochester Holiday Market, Oct. 18-19, 2008


This weekend, I will participate in the new Junior League of Rochester Holiday Market at the Dome Fair & Expo Center, 2695 E. Henrietta Rd, Rochester. The show features fine arts and crafts, gourmet foods, and services.

Hours are Saturday from 10 to 6 and Sunday from 10 to 5. Tickets are $5, 12 and under free. They will be available at the door or with advance registration from the Junior League office at 585-385- 8590.

I will have original artwork and prints and notecards for sale. Some of my prints are available online from the publisher, here.

New York landscapes to please any art lover
Ten high quality note cards with envelopes, packed in a clear acrylic box. $9.95 (to order cards by mail, contact me here).

Coast Guard Station

Toys in the Snow

Catskill Farm

Campbell's Field

Seventh Annual Rhinebeck Paint-Out

Around the Bend, 12X16, oil
On Saturday, Oct. 18, I will participate (long-distance) in the Barrett Art Center’s 7th Annual Rhinebeck Paint-Out and Art Auction. Painters will work from 9-3 in the greater Rhinebeck area, with a reception starting at 4 PM, and a live auction from 5-8 PM. The auction will be held at Good Shepherd Church, Father Brogan Parish Center, in Rhinebeck.

Because I have an event in Rochester on the same day, the organizers graciously allowed me to paint on Friday, October 10. I chose the lovely Queen Anne house at Wilderstein for my subject. This was the home of FDR’s cousin and confidante, Margaret (Daisy) Suckley. The landscape of this estate was designed by Calvert Vaux (Olmsted’s co-designer of Central Park) and features prospects of the Hudson. I dithered between the “million dollar view” created to seen from the house, and the house itself. House won.
Wilderstein, 14X18, oil
Among the fifty or so artists who will paint in this event are Kathy Lynn Buist, Bruce Bundock, Frank Cannas, Margaret Crenson, Sallie Lyon, Nestor Madalengoitia, Seth A. Nadel, Crista Pisano, and Phyllis Tarlow.

For more information contact: Barrett Art Center, 55 Noxon St, Poughkeepsie, NY 12601 845- 471-2550

Wednesday, September 24, 2008

Lilac Preservation Project presents The Water Works Exhibition

October 3-5, 2008 — North side of Pier 40, Manhattan
Migrating Geese, by Carol Douglas, 12X9, oil, is among works by thirty New York artists.
New York, NY - The Lilac Preservation Project (LPP) is pleased to present The Water Works Exhibition, featuring the works of thirty artists from metropolitan New York and the Hudson Valley. The show is curated by Lilac’s artist-in-residence, Amy DiGi. All works are for sale.

Artists featured in the exhibition include: Liz Adams, Yasue Arai, John Baber, Amy DiGi, Carol Douglas, Victoria Estok, Mary Ann Glass, Marilyn Harari, Linda Hubbard, Rick Michalek, Maddy Morales, Sharon Nakazato, Rein Singfield, Christopher Staples, Ruth Ternovitz, Joe Vacara, Diane Waller, Marcia Wiley, Elizabeth Winchester, Kristin Zimmermann and others

The Lilac, built in 1933, is an historic, decommissioned US Coast Guard vessel that served as a lighthouse and buoy tender in New Jersey. She is the last surviving vessel in her class. (For details about her history and the mission and work of the LPP, see here.)

The Water Works Exhibition is open to the public Friday through Sunday, October 3-5, from 10 AM to 6 PM. The public is invited to a reception on Saturday, Oct. 4 from 6 to 9 PM. All Lilac exhibitions are open to the public free of charge.

Subway: Take the #1 train To Christopher Street. Walk west along Christopher Street to West Street (West Side Highway), cross to the Pier and walk south 2 blocks to Pier 40. Or take the #1 train to Houston Street and walk west along Houston Street directly to the Pier.

Bus: Take the 8, 10 or 21 bus lines. PATH directions: To Christopher Street Station. Walk west along Christopher Street to West Street (West Side Highway), cross to the Pier and walk south 2 blocks to Pier 40.

Car: Pier 40 is located 2 blocks south of Christopher Street off of West Street (West Side Highway).

Monday, September 15, 2008

Rye Painters on Location 2008

Here is my set-up along the shingle.
Well, dang me, I managed to delete my own painting from Rye from my camera. (That’s what I get for photo-editing when overtired.) Hopefully, the Rye Record will have a copy of it.
However, my experience at Rye was (as it seems to be every year) wonderful. I decided to paint at a small rocky promontory at Edith Read Sanctuary behind Playland. A young man was there fishing for porgies and bluefish—he was disappointed that the surf was making his day off so difficult. He gave up fairly quickly, but not before modeling surf casting for me and showing me pictures of his two young sons on his cellphone.

I sketched him a bit thinking I could integrate him into my painting but it seemed too contrived. In retrospect I wish I’d redesigned my composition around him, but he was gone by then, and photo reference violates the spirit, if not the rule, of this paintout.

Rye has changed its format this year to include two days of painting. There are many painters who can put together a polished, credible entry in four hours. I am not one of them. I paint for every hour available, struggle back and forth from overdone to fluid. This was no exception; at 2:45 on the second day, fellow painter Sally Lyon kindly helped me hoist my stuff back off the beach to my car to get it framed and wired by the 3 PM deadline.
Along the coast, the tide goes in and the tide goes out. You can freeze it in a photo, and that makes for simpler painting, but in plein air you work essentially from imagination and memory, substituting the rocks that show for the rocks that are submerged. I love the freedom of this approach, but it can be quite disconcerting the first time you try it.
It has rained all summer in the northeast. This weekend was no exception. By the end of our first day, it was pouring buckets. It killed me to quit, because the light was low, lovely, and moody, but I generally quit when the medium and rain are emulsifying in the cup.


This photo, taken the Mill Pond as I left, shows the rain and failing light. A few minutes later, when I saw cygnets following a swan beside Manursing Way, it was impossible to even take a photo.

The second day, back at the beach, the surf was down and the light was flat. I attempted to recreate the prior day’s darkness and moodiness, but I should have followed new conditions (one never knows).

That morning, I saw a seal potting along the shore. Shorebirds such as gulls, cormorants, and herons are numerous beyond mention. What a lovely place it is!

New York Social Realism

A Pool With A View (Cunningham Rd) by Bruce Bundock

32" x 20", Acrylic


Today I’d like to write about an artist who also did the Rye Painters on Location this weekend: Bruce Bundock.

It takes an extraordinary mind to see the beauty of Tyvek, T11 siding and an above-ground pool set serenely in Eden. This is a legitimate extension of the social realism of Millet or Hopper, but we are so blind to working-class, rural New York that we don’t immediately recognize it. (New York has the highest and fastest growing income disparity in the nation*.) What interests me is that Bruce seems genuinely fascinated by these modest houses; there isn’t a shred of sentimentality in his work.

His subtle social commentary wouldn’t work without impeccable technique. I am personally fond of the Bay Area Figurative Movement, and I see intimations of it in Bruce’s work, particularly in the discrete steps used instead of gradation to indicate tonal range. The best of his paintings remind me of old-fashioned commercial lithography, particularly in the wonderful flat greens of the trees. None of this, of course, would work without his superlative drafting.


Botanical by Bruce Bundock
11.5" x 8.25", Acrylic


This weekend, I acquired Bruce’s “Botanical”, above. I presume by the title that Bruce thinks it’s about the flowers, but once more I see a modest but proud house set in Paradise. As I’m sure I’ll see him someday in a major national gallery, I am thrilled to have such an archetypal example of his work.

Rye Beach Pavilion, by Bruce Bundock, September 13, 2008, acrylic


His Rye painting, of an old Spanish-style building at Playland, included that motif, appropriately muted. A painting which might have been postcard-sentimental was elevated by the inclusion of construction equipment in the foreground, which was perfectly integrated into the composition by skillful balancing of form and color.

To see more of Bruce’s paintings, go to http://artid.com/members/bundock

Wednesday, September 10, 2008

8th Annual Painters on Location

Saturday, September 13, 2008, Rye NY
The Rocks Would Cry Out
18X24, oil on canvas

To bid on this work, call the Rye Arts Center at (914) 967-0700 x 33 before Saturday, September 13, 2008
Tomorrow I leave to participate in the 8th annual Painters on Location paintout and live auction in Rye, NY. This is an event I look forward to with great excitement and a little nervousness.

43 artists choose locations along the Long Island Sound Shore and have 32 hours to paint, frame, and deliver a wet canvas to the Rye Arts Center. That evening (September 13) the paintings are auctioned off at a charming gala event.

The reception opens at 5:00 PM, by which time I hope to have my face and hands reasonably scrubbed and be changed into some paint-free clothing (it doesn’t always happen). The auctioneer begins the live auction at 6:15. The reception is free but anyone who is interested in attending the live auction is asked to purchase a $10 bidding paddle. Guests are encouraged to purchase bidding paddles in advance as seating is limited.

(frame detail)

A Silent Auction of existing works by these artists is now on view in the gallery. The opening bid on my silent auction piece (above) is $600 and you are welcome to bid in advance by calling (914) 967-0700 x 33. The silent auction ends fifteen minutes after the live auction, on September 13.

Tuesday, September 9, 2008

Painting in Maine


This is my favorite painting from my recent Maine trip. It’s quite small—6X8—and was done during a downpour on a shingle beach in Penobscot Bay. I like the color and the energy. It comes close to my sense of what the ocean is about.

(I plan to teach in Maine next July so if you’re interested, please let me know.)

After painting in Maine, I saw All Things Bright and Beautiful: California Impressionists at the Katonah Museum of Art. What a different world they were painting! It’s an excellent show, and runs until October 5, 2008.

Monday, September 1, 2008

So you want to go to art school?



You wouldn’t consider applying to music school without taking private lessons, so why would you apply to art school that way? Carol L. Douglas is an experienced painting and drawing teacher who can help you create a portfolio tailored to the school you want.

"Ms. Douglas helped me develop my portfolio to meet colleges’ expectations and taught me the fundamentals of painting and pastel. I was offered scholarships to several art programs including RIT and Pratt. She is an excellent teacher for the student willing to work hard to develop potential."

— Zeyuan Chen, Brighton HS ‘08, Stony Brook University ‘12

"I visited Pratt and realized my portfolio would not get me in. Ms. Douglas worked with me intensively to fill the gaps, and I am now at Pratt with a Presidential Scholarship. I would not have gotten in without her help."

— Sandy Quang, MCC ‘08, Pratt Art Institute ‘10

Carol L. Douglas Studio
410 Oakdale Drive, Rochester, NY 14618
585-201-1558
email: cdouglas@frontiernet.net
www.watchmepaint.blogspot.com
www.goaway-letmepaint.com

New Classes for Fall

Studio in Art
Wednesday, 10:30 AM-1:30 PM
Saturday, 10 AM-1 PM

(Oil, pastel, acrylic, watercolor)
This class focuses on still life as a fundamental tool for developing drawing and painting technique. It is appropriate for both beginning and advanced students. Instruction emphasizes direct painting, where paint is applied solidly rather than through glazing. For watercolor and acrylic, the emphasis is on alla prima techniques.

Tuition—$100/month

Figure
Saturday, 2-5 PM

(Oil, pastel, acrylic, watercolor, drawing media)
This class focuses on the figure. In addition to working with live models, we study human anatomy, drapery and clothing. The class is suitable for both beginning and advanced students. Students without a background in figure drawing are encouraged to begin in charcoal.

Tuition—$137.50/month

Portfolio Preparation
Saturday, 10-1 PM
(Oil, pastel, acrylic, watercolor, drawing media) High school students who are interested in applying to art school are encouraged to take this class. Emphasis will be on identifying appropriate colleges and developing a portfolio matched to their choices.

Tuition—$137.50/month



Friday, May 23, 2008

Paintings in RiverWinds Show

"Wanderings" - Paintings by Carol Douglas and Shelli Robiner-Ardizzone
May 10 - June 7, 2008

Monday, May 19, 2008

Shelli Ardizzone and Carol Douglas at RiverWinds Gallery until June 9

From left: Virginia Donovan, Carol Douglas, Mary Ann Glass, Shelli Robiner-Ardizzone, and Linda Hubbard. (Photo by Jim Cypher, The Cypher Agency)



Gallery Hours: Wednesday - Monday 12 - 6pm, Beacon Second Saturday 12 - 9pm
RiverWinds is located on Main Street, in Beacon - number 172 - one and a half blocks east from Route 9D on the north side of Main Street - just past Hudson Beacon Glass in the old Beacon Firehouse 162 Main Street.

The gallery is easy to find, not far from Dia: Beacon or the Train Station. And there is lots to see and do in Beacon. Check the http://www.beaconarts.org/ for information about restaurants, shops and other galleries Beacon.

Shelli Robiner-Ardizzone


Carol L. Douglas

What a delightful opening we had! RiverWinds Gallery is operated by three delightful and professional women--Linda Hubbard, Mary Ann Glass, and Virginia Donovan. The show is beautifully curated and the opening was delightful, with friends old and new in attendance.

For more information and images from this show, see here.

Lilac's 75th Birthday


When in New York recently, I joined a friend painting on Pier 40 (at the foot of Houston Street). I painted a small oil sketch of two of the tugboat Lilac's stacks, which reminded me, for some reason, of my twin daughters. The oil sketch will be available—among many other works—at the celebration of the Lilac’s 75th birthday on Memorial Day weekend.

Hours are:
Saturday, May 24—10 AM to 6 PM
Sunday, May 25—10 AM to 6 PM
Monday, May 26—10 AM to 9 PM

(I won’t be at the artists’ reception, but it’s from 4-8 PM on Monday.)

A percentage of the sale of paintings will go to support renovation efforts for the Lilac.

"Twins"
8x10 oil sketch by little ol' me

Wednesday, April 23, 2008

The Creative Process--the Story of Me


Carol L. Douglas, The Joker, figure, oil on canvas, 40" x 30"


Renée Phillips at Manhattan Arts International just published an essay by me on The Creative Process. It is an artist statement I wrote for an upcoming show, which she liked enough to use. Thanks, Renée!

Saturday, April 5, 2008

Enough about those kids!


One of my adult students, Anne Christner, with her pastel portrait of her daughter Sarah. It’s an excellent likeness, and a real step forward. Brava, Anne!

Friday, April 4, 2008

The Kung Fu Fighters are both accepted at Pratt

Not only were they both accepted, but both were awarded Presidential Merit Scholarships. Good going, girls!

Friday, March 14, 2008

Trip to Ghost Ranch in Abiquiú, NM added to Taos workshop

"When I got to New Mexico, that was mine."

That was how Georgia O'Keeffe described her instant love for northern New Mexico, which she first visited in 1917 Although she never owned Ghost Ranch, she eventually purchased a small home there and later a home in nearby Abiquiú. (Learn more about Ghost Ranch here.)

We have added a guided tour of this area (which she loved, explored, painted, and lived in for over 50 years) to our "Paint the Magic and Mystery of Taos" workshop, from June 15-21, 2008. This is optional and requires a ticket at $25.


Tour update

This trip is selling well, and we have a few openings left. I’m getting pretty jazzed about it myself.

I plan to pick up tour participants at Albuquerque Airport on Sunday, June 15 (if you arrive at a different time, there’s a shuttle available to Taos). On Sunday evening, we’ll relax over dinner at the Sagebrush Inn and get to know each other.

I am always excited to get to work right away and I bet you’re the same. In the morning, we’ll get right down to the business of painting. Then, while you eat your lunch and relax, Shelli or I will demo in a variety of media.

We’re visiting Ghost Ranch on Friday. We’ll bring our supplies so we can get one work session in that day. On Saturday we’ll help you pack and ship your stuff and get you back to Albuquerque for the trip home.

Your fee of $1200 includes workshop instruction, five days of painting in special selected plein air locations, lodging and two meals per day at the historic Sagebrush Inn. (http://www.sagebrushinn.com/)

Painters are welcome to work in oils, pastels, acrylics and watercolor. Materials list and daily schedule will be supplied upon registration. A branch of Artisans art store is nearby. (http://www.artisan-santafe.com/)

Travel arrangements and fees

Call Jeannie at Esplanade Travel to reserve your workshop space with a $550 deposit. She’s at (718) 597-1414 or jrw.esptravel2@verizon.net. She can also help with your flight arrangements if you wish.

Shelli Robiner-Ardizzone has led workshops for 8 years at the Women’s Studio Center, LIC, and at Great Neck Arts Center. She has been awarded a residency at the Vermont Studio Center and grants from National Academy School and Art Students League.

Carol L. Douglas (moi) is the chairperson of New York Plein Air Painters and teaches plein air, studio and figure painting in Rochester, NY. She studied at the Art Students League and elsewhere. (http://www.watchmepaint.blogspot.com%20/and http://www.goaway-letmepaint.com/)

For a brochure you can print, go here.

Tuesday, January 29, 2008

The Kung Fu Fighters

I have recently had the opportunity to work with two young artists preparing portfolios for college. (Their work follows in the posts below.) They are laughingly called my Art Slaves since they have been in my studio seven days a week. One of my adult students wondered why they make such swift progress and she doesn’t. “If you’re willing to be chained to an easel seven days a week and do what you’re told, you can do it too,” I said. (But the charm of adult learners is that they are individualistic, stubborn, and idiosyncratic, and I wouldn’t have them any other way.)

Neither Sandy nor Ze had ever painted in oils before December. That they each have an oil painting in their portfolio is an indication of how hard they’ve worked.

Completed portfolio: Sandy Puifong Quang

Sandy Puifong Quang is 19 and will graduate from Monroe Community College in May with an AS in liberal arts and a GPA of around 3.5. Although she has always loved design, Sandy didn’t know she loved art until she began taking studio classes at MCC. Sandy speaks three dialects of Chinese along with some Russian and French. Her family are refugees from the fall of Vietnam and run a restaurant in Rochester.

Sandy started working with me seriously in the summer of 2007, although I have known her for many years.

Self-portrait with catalogs, graphite on paper, approx. 18X24, 2007

Peonies life drawing, graphite, approx. 18X20, 2007

Skeleton life drawing, graphite, approx. 18X24, 2007

Peonies life drawing, pastel, approx. 9X12, 2008

Patrick, oil on canvas, approx. 18X24, 2008

My parents’ restaurant, graphite on paper, approx. 16X18, 2008

Sneakers and keys, graphite on paper, approx. 18X18, 2007

Gourds and squash, watercolor, approx. 20X20, 2007

Fred, collage, approx. 12X9, 2006

30-minute figure sketch, graphite on paper, approx. 18X24, 2007

My room and gnome, collage and graphite, approx. 12X12, 2007

Figure sketch, graphite on paper, approx. 18X24, 2007

Figure sketch, graphite on paper, approx. 18X24, 2007
Figure sketch, graphite on paper, approx. 18X24, 2007

Figure sketch, graphite on paper, approx. 18X24, 2007